: يُصنف العمل كأحد أجرأ الأفلام الفرنسية في السبعينيات نظراً لتقديمه محتوى صادم بأسلوب ساخر ودرامي فريد.
الاسم الأصلي للفيلم بالفرنسية هو Les Valseuses ، وهو مصطلح عامي فرنسي يشير إلى (الخصيتين)، وهو ما يوضح النبرة الاستفزازية والساخرة التي اختارها المخرج.
: Availability varies by region and changes frequently. At the time of writing, the film occasionally appears on niche streaming services dedicated to classic or art-house cinema, such as Kanopy, which is available through many public libraries and universities. fylm going places 1974 mtrjm kaml fydyw lfth
Bruno Nuytten (who would later shoot Jean de Florette and direct Camille Claudel ) gave the film a gritty, naturalistic look, contrasting with the polished studio films of the era.
To fully understand the film's tone and intent, one must know its original French title: . At the time of writing, the film occasionally
Going Places is often misunderstood as mere pornography or misogyny. In truth, Blier was interrogating the aftermath of the protests. The film asks: What happens when all traditional values – family, church, politics, love – are rejected? The answer in the film is not liberation but a hollow, desperate freedom.
Going Places (or Les Valseuses ) remains a challenging, provocative, and undeniably important piece of film history. It is a film that refuses to be comfortable, a cinematic rebellion against all forms of authority, taste, and decency. For those who approach it with an open mind (and a strong stomach), it offers a raw, unfiltered portrait of a world without rules—a journey into a darkly comic heart of darkness. Going Places is often misunderstood as mere pornography
Perhaps more than any other French film from the 1970s, Les Valseuses is defined by its divisive legacy. From the moment of its release, it was a lightning rod for controversy. A ministerial advisor reportedly called for its complete ban, though it was ultimately rated strictly for adults (over 18). Critics were split, with some hailing it as a masterpiece of liberated cinema and others decrying it as a misogynistic, vile, and shamelessly exploitative work. Director Blier himself, in a typically defiant response to critics, quipped that he was proud to be singled out by figures like Eric Zemmour, who blamed Les Valseuses for the cultural decline of France.
In the landscape of 1970s French cinema, few films sparked as much controversy, adoration, and debate as Bertrand Blier’s 1974 masterpiece, Going Places (originally titled Les Valseuses ). Brash, irreverent, and undeniably charismatic, the film serves as a time capsule of a specific cultural mood while remaining a startlingly fresh piece of filmmaking today.
Les Valseuses (French slang meaning "the waltzers," a vulgar term for testicles) English Title: Going Places Release Year: 1974