The plugin's "story" evolved as users began applying it to —creating the entire visual style for movies and shows rather than just fixing shots. This popularity led to the creation of Hue/Shift Pro , which expanded the original single tool into a suite of six specialized DCTLs (DaVinci Color Transform Language) for advanced grading. Key Features
Open your extracted zip folder and copy all the .dctl files.
In color grading, "density" refers to the saturation of a color in relation to its luminance. The hueShift DCTL allows you to darken colors as they become more saturated. This deep, rich color rendering is a hallmark of classic print film stocks like Kodak 2383. 3. High-Fidelity Math PixelTools hueShift DCTL Plug-In.zip
In the Inspector panel, select the from the DCTL script dropdown menu.
: Includes dedicated sliders for each primary and secondary hue (Red, Green, Blue, Cyan, Yellow, Magenta) to adjust luminance independently for rich, cinematic palettes. The plugin's "story" evolved as users began applying
The simplest method is to use Resolve's built-in feature:
For micro-adjustments (e.g., shifting a teal car to a blue car), the DCTL is superior. For broad stylistic looks, the native curve is fine. In color grading, "density" refers to the saturation
Why use this DCTL instead of the built-in "Hue vs Hue" curve? Let’s break down the advantages:
Achieving precise color separation in DaVinci Resolve often requires moving beyond standard wheels and curves. The is a professional-grade color grading tool designed to give colorists granular control over hue, saturation, and density. By leveraging DaVinci Resolve's DaVinci Color Transform Language (DCTL), this plugin executes complex mathematical transforms directly on the GPU. This ensures maximum image fidelity without the artifacts often introduced by traditional lookup tables (LUTs). What is the PixelTools hueShift DCTL?
: Supports major color spaces including DaVinci Wide Gamut (DWG) , ACES, LogC, and Rec.709. Quick Installation Guide
Colorists use it to isolate specific color channels—such as skin tones, skies, or foliage—and shift their hue, saturation, and luminance (density) simultaneously. This holistic approach to color manipulation mimics the behavior of chemical film emulsions, providing a organic, cinematic look. Key Features and Capabilities 1. Vector-Based Color Shifting