Roja Selvamani (born Sri Latha Reddy) established herself as a cornerstone of South Indian cinema during the 1990s, particularly within the Telugu and Tamil industries

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Before we list the must-watch films, it is crucial to understand why Roja’s work qualifies as "classic." Unlike the glamorous heroines of today, Roja brought a raw, earthy energy to the screen. She was equally comfortable playing a village belle fighting a landlord or a urban sister seeking revenge. Her on-screen pairing with legendary actors like Chiranjeevi, Balakrishna, and Venkatesh created box-office gold.

Whether you are a nostalgic 90s kid or a fan of vintage Indian cinema, these movies showcase the very best of Roja’s career. 1. Bhairava Dweepam (1994) High Fantasy/Adventure Co-star: Nandamuri Balakrishna

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From her iconic half-saris to her classic 90s braids, Roja was a style icon for many young women of that generation.

In Shubhalagnam , Roja delivers one of her most nuanced and mature performances. The film is a unique family drama centered around a materialistic woman (played by Aamani) who literally "sells" her husband to another woman for money. Roja plays Radha, the second wife who enters the household under bizarre circumstances. Roja portrays her character with immense dignity, restraint, and emotional depth, serving as the moral anchor of the second half of the movie. The film remains a masterclass in how 90s Telugu cinema blended sensitive domestic themes with mainstream comedy and music. 3. Mutha Mestri (1993) A. Kodandarami Reddy Co-stars: Chiranjeevi, Meena Genre: Mass Action / Political Drama

For fans of vintage Tollywood and classic performances, here are the top movie recommendations and iconic roles from Roja’s illustrious career.

Roja shines as a traditional yet headstrong woman. The film features incredible music by Raj-Koti, and Roja's expressive performance in the emotional tracks cemented her position as a household name. 3. Bhairava Dweepam (1994)

Roja became the gold standard for the grama sundari (village beauty) with a spine of steel. Directors like K. Raghavendra Rao and Kodandarami Reddy used her not as a prop, but as the moral and emotional anchor of the film. She didn’t just sing in flower gardens; she argued, she fought back, and she often out-witted the hero.